The Skeleton Key to Tarantino’s OUATIH

*No spoilers in this post* There is a secret code to unravelling the intricate jewel of a masterpiece of cinema by Tarantino, a work he himself temporarily titled “Magnum Opus.” This is a work in which Tarantino ties together each of his previous films, transcends the own sub genre he created – cinema called “Tarentinoesque.” He typically seeks to use genre conventions and transcend them, turning Grindhouse into Art House without losing the genre thrills. In Once Upon a Time in Hollywood he makes the self-reflexive turn creating a powerful mobius strip and trans-dimensional cinema experience – each reference is not only a quotation, but a greater statement – of love. I offer the curious viewer a skeleton key to begin unlocking one set of facets of the jewel in this brief post, with the intention of returning to a longer analysis. For now, let this suffice as a taste: In the scene between Johnny and Caleb, Johnny says at one point “A lot of people died that day.” Caleb responds “Yes they did. But we had a good time.” Inside becomes outside, outside becomes inside. I only picked this up on the 11th full viewing as the stack of secret corridors and hidden passages continue to appear.

One more special passageway: The Buffy Sante-Marie cover of Joni Mitchell is the theme tune from The Strawberry Statement (check out the trailer), a picture which Tarantino briefly mentions in the July podcast from the New Beverly. History within history within cinema history within cinema history. So intricate – and so meaningful through and beyond cinema this time. The sets of parallels throughout the film are like a fractal – the shape is at all scales throughout. Oh, and the woman in the yellow dress appears in Medium Cool. There are thousands of these remarkable passageways. I will save them for future writing. I hope you enjoy these few doors to your viewing. – OG

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Movies of the Future, NYTimes

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In “Star Trek: The Next Generation,” Picard (Patrick Stewart) takes Jono (Chad Allen) to play a form of racquetball on the ship’s holodeck.

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By FRANK ROSE
Published: June 22, 2013

EARLIER this month, at a symposium at the University of Southern California film school, George Lucas and Steven Spielberg predicted the collapse of most megabudget movies, and with it the end of Hollywood as it now exists. This sounds like bad news for popcorn sellers. But Mr. Lucas and Mr. Spielberg had intriguing ideas about what might come next.

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